
The Tempest
Caliban · Quantum Theatre · Dir. Karla Boos
“impresses with physicality and intensity that draws the whole audience in.”Alexis Papalia · TribLive
Selected work
Photographs crop to a single shape. Select any photo to see it full size.

Caliban · Quantum Theatre · Dir. Karla Boos
“impresses with physicality and intensity that draws the whole audience in.”Alexis Papalia · TribLive

William Kemmler · Quantum Theatre · Dir. Tomé Cousin
“performs marvelously in what might be the show’s most interesting role.”Mike Vargo · Entertainment Central Pittsburgh

Oscar · Pittsburgh Public Theater · Dir. Justin Emeka
“held the audience in pin-drop silence”Pittsburgh Public Theater, 50th anniversary

Cesare / Orderly · Quantum Theatre · Dir. Jed Allen Harris

Jimmy Ray · Front Porch Theatricals
Adán / Cruz · People’s Light
Performance and dance captain work in a musical journey of family, hope, and home.
“an excellent Jerreme Rodriguez”
Sean Collier · TABLE Magazine · July 27, 2026 ↗
“Jerreme Rodriguez gives us a remarkably versatile Caliban, playing the ill-served son of Sycorax with the spirit of an eager revolutionary and the soul of a reluctant poet.”
Timothy Ruppert · ’Burgh Vivant · July 22, 2026 ↗
“Jerreme has dazzled in demanding, often very physical roles for Quantum and other Pittsburgh companies, and is forging a national career.”
“We watch him transforming from a wild-eyed murderer to a repentant, decent human being while his appeal winds through the courts.”
“Amid the captains of industry and their sidekicks, he becomes Everyman.”
Mike Vargo · Entertainment Central Pittsburgh ↗
On William Kemmler: “played so subtly by Jerreme Rodriguez”
Stuart Sheppard · Pittsburgh Quarterly · June 16, 2021 ↗
Music direction by Douglas Levine. Production program ↗
By Lynn Nottage · Directed by Justin Emeka
The quotation is Aja Jones, Chief of External Affairs, recalling the production for the theater’s 50th anniversary. TABLE Magazine ↗
In black and white, Cesare approaches through a corridor toward a close-up. The sequence cuts to an overhead architectural view and a flying movement, ending close to his face.

Co-Artistic Director · Writer · Sound Designer · The Watchmaker
“the light created by people coming together during the darkest time of the year.”From my director’s note

Writer · Voice-over · Sound design · Dancer
A reimagining of The Nutcracker centered on the Watchmaker’s fading memories and the family who gathers around him. Marie brings the holiday celebration to her uncle’s home, where music, movement, and familiar faces offer moments of connection.
My contributions bring together writing, directing, sound design, and performance as The Watchmaker. The drive-in adaptation places care and community at the heart of the familiar holiday story.
Writing and directing contributions: 2020. This describes my contributions, not the full production credits. The quotation is from my director’s note, signed as Co-Artistic Director.
For Undead, I wrote and performed the voice-over and co-developed the visual and sonic world of our section of the piece. My collaborator and I established a distinctive spider-inspired look for our characters, sourced and assembled the costumes, and brought that concept into performance. I also created the sound design for our portion and performed as a dancer.

City Theatre · Photography © Kristi Jan Hoover
Pittsburgh Musical Theater
Choreography for A Lyrical Christmas Carol and In the Heights.
The complete list of credits, updated for casting.